Tag Archives: neil gaiman

Emma Maree Reviews: Good Omens

Book: Good Omens by Terry Pratchett and Neil Gaiman

Genre: Fiction/Fantasy

An angel (who owns a bookstore) and a demon (who owns a Bentley) work together to try and stop Armageddon, while a witch hunter and a witch do the same, using prophecies that are hundreds of years old. The Anti-Christ grows up in a small English village. That’s about the size of it.

Just in case you’re new to this blog: Hi, I’m Emma. Terry Pratchett and Neil Gaiman are two of my favourite authors. My review of this book is unlikely to surprise you. Okay, now that’s over with…

I loved this book.

The entire cast is amazing, from the Horsemen of the Apocalypse (with a badass, redheaded journalist starting wars everywhere she steps), the book-loving angel Aziraphale (“gayer than a treeful of monkeys on nitrous oxide”) and the demon Crowley (“An Angel who did not so much Fall as Saunter Vaguely Downwards”).

Strangely enough, my favourite character wasn’t the dark-humored but kind-hearted demon Crowley. It was a much more minor character, the humble package delivery man who loyally brings packages to help bring about the end of the World.

If you’re a fan of either or both author, pick this up ASAP and find out what you’ve been missing.

 

Emma Maree Reviews: The Graveyard Book

Book: The Graveyard Book by Neil Gaiman

Genre: Fiction/Young Adult/Childrens/Paranormal/Horror

After the grisly murder of his entire family, a toddler wanders into a graveyard where the ghosts and other supernatural residents agree to raise him as one of their own. Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn’t live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy. But if Bod leaves the graveyard, then he will come under attack from the man Jack—who has already killed Bod’s family . . .

If you’ve ever read Gaiman’s “American Gods” (and you should) you’ll have an idea of what to expect here. Neil Gaiman is a goldmine of mythology and history, and his knowledge leaks into the pages. Everything is infused with accuracy and research, everything is referencing old gods and famous moments in history. They call it a kids book, but as an adult reader you can get so much more out of all his subtle little nods to history.

The story starts out with each chapter being a self-contained ‘snippet’ from the main character Nobody’s life in the graveyard, following him as he grows up and makes friends with witches, steps through portals into other worlds, and deals with a teacher who might not be all that she seems.  Towards the end of the story, all the individual sections start to come together as the man named Jack picks up Nobody’s trail once again…

Neil has a real gift with characters. The Graveyard residents are made memorable with only a few lines of text, and they’re all so likeable. I didn’t even realise how attached I was to these characters, until 2am on Christmas Day rolled around and I was still reading, still desperate to know what happened next and what these poor characters were going to have to go through.

This is a great fantasy novel – an easy, fast-paced read with a lot of depth and appeal to all ages.

Emma Maree Reviews: Marvel 1602

After watching the latest X-Men movie, “Marvel 1602” seemed like a good follow-up to read – it’s an Elizabethan re-imagining of the Marvel universe, with a lot of focus on the X-Men.

I picked up the trade paperback, collecting all 8 issues of the comic written by the legendary Neil Gaiman – usually a DC comics writing, so it’s nice to see him taking a spin at Marvel.

Here’s the Amazon summary:

The always inventive Gaiman has concocted an unlikely—but fantastically successful—superhero comic that transfers Marvel’s classic characters to the Elizabethan period. Nick Fury is still a lethal government operative, but now he’s an adviser to Queen Elizabeth. Her Majesty is equally reliant on magician and doctor Stephen Strange. X-Men mentor Charles Xavier still shepherds a band of mutant teens, only now he’s called Carlos Javier, and the mutants are known, and mistrusted, as “witchbreed.” Carlos’s mysterious nemesis has taken on a new job: grand inquisitor of the Spanish Inquisition. Peter Parker (here “Parquah”) is still a confused but well-meaning teenager who has yet to be bitten by a radioactive spider. Placed in a period landscape (rendered in rich, painterly panels by illustrator Kubert and digital painter Richard Isanove), these familiar characters must grapple with the issues of the day, chief among them the machinations of the evil King James of Scotland. And, in classic superhero style, they must save the world. The improbable combination works remarkably well, as the superheroes’ strange abilities adapt to Elizabethan culture.

So that’s the plot, and it’s exactly what it sounds – as many Marvel heroes reimagined in Elizabethan style as possible. Sometimes the plot, a nice mystery with political intrigue and spy elements, gets pushed ahead in favour of cameos. This does weaken the story, but as long as you’re a Marvel fan you’ll still enjoy it – for the re-imaginings, the references and in-jokes, and the plot lines.

The dialogue is strong for a comic book and it fits the period. The period setting is well done, if confusing at points (there are dinosaurs. I have no idea why. Google eventually told me this was a reference to the Marvel ‘Savage Lands’). The time period could have been used more blatantly, but it has lots of old-fashioned ships so I’ll forgive it. It also uses some unexpected plot twists – a few famous Marvel characters appear towards the end that I completely didn’t expect to show up.

The art style is relatively unique – pencils taken immediately into digital colouring, with a lot of the pencil lines still visible to give it a ‘scratchboard look’. Skipping the inking stage definitely makes it stand out.

the penciller isn’t always that great with faces – characters pull some really jarring, unnatural expressions. It gets less noticeable towards the end, maybe because I was more ‘into’ the story.

One thing I wish the collection had would be character bios, so that relatively new Marvel fans like myself could keep up. Sly references to their modern superhero names help clear this up (one of Daredevil’s opening lines, as a blind Irish bard, is along the lines of ‘If the devil is one who dares, then I am the devil.’ I see what you did there, Neil Gaiman) If you’re already familiar with the Marvel universe, you’re fine – and you should really enjoy this.